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2007-06-27
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Pokiri Songs Lyrics :)
jagaDamE.. jagaDamE
naa kanulanu sooTiga chhoosthE
naa yeduTaku nEruga vasthE
naa piDikeli vAdiga vEsthE
ee pOkiri pogarulu kavvisthE
samaramE.. samaramE
naa yeduruga evvaru unnA
aa dEvuDu digivasthunnA
aakasamE thegabaDuthunnA
bin lAden edutE nilichunnA... yea yea yea
choosthE kannu theesthE
mari choosi choosi kAlusthE
chhEsthE thirigEsthE
if u wanna wanna say namAstE
samAre samAre samArE
samAre samAre samArE
samAre samAre samArE
samAre samAre samArE
yekkaDaina naa theerinthE
ye center aina naa speed inthe
hE "time"u cheppu vasthAnantE
jagaDamE
nuvvu nEnu nigalAlanTe
ika vaaDi veDi chhoopAlanTe
violence jaragAlanthE
jagaDamE
naa oohaku vAyuvu vEgam
naa choopuku suryuDi thApam
naa chEthiki sAgara vaaTam
nE sAgithe thappadu ranarangam
cheelarE...cheelarE
mauriya mauriya mauriya mauriya
hOlo hOlo thadapaati pappa mauriya
hOlo hOlo thadapaati pappa mauriya
hOlo hOlo thadapaati pappa mauriya
hOlo hOlo thadapaati pappa mauriya
mauriya mauriya mauriya mauriya mauriya mauriya mauriya mauriya
yeppuDaina naa route inthE
ee "wrong"u "route"u naa style anthE
hey nacchakunTe nee kharamanthE
jagaDamE
Ey rAjageeji paDalEnanthE
mari chhAvo rEvo thElAlanthE
vella patti kodathAnanthE
jagaDamE
nE paaDithe allari rAgam
nE aaDithe chillari thAlam
naa dAriki lEdoka bandham
naa varasE nipputhO chelakaaTam... oh yea
cheelarE...cheelarE
Devuda:
noppi noppi gundantha noppi
gilli gilli gichEsthadI
patti patti narAlu mElEsi
"love"ulOkE lAgEsthadI
asalEmayyindo teliyakundirO bAbOi
rAthiranthA gunuku lEdu
Evetti kannAnurO
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
attha mAmalu ekkaDunna kAllumokkAlirO
chichubetti champuthOndI
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
kompalE munchakE nuvvalA navvamAkE
muggulO dinchakE muddalA pettamAkE
vOradA choodakE jalagalA pattukOkE
bathakanI nannilA irugulO pettamAkE
dEvudA naa madicheDi pOyenu poorthigA
ainA bAgundI hAyigA
rAthiranthA gunuku lEdu
EdOti chheyyAlirO
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
machine lOnA petti nannu pinDuthunnAdirO
gotti gotti danchuthOndI
EmitI kalavaram ennoDu chhoodalEdE
deeninE prEmani evvaru chheppalEdE
EmitilO munigina ekkaDo tEluthArE
prEmalO munigithE tElaDam veelukAdE
dEvudA ee teliyani tikamaka dEnikO
arrarE ee taDabAtEmitO
rAthiranthA gunuku lEdu
fullOti kottAlirO
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
ollu mottam kumpatallE manDuthunnAdirO
lOpalEdO jaruguthOndI
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
A dEvo dEvo dEvo dEvo dEvo dEvuDa
Gala Gala:
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
nA kOsamE nuvvalA
kannIrulA mAradA
nAkendukO unnadI hAyigA
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
vayyAri vAnalA vAna nItilA dAragA
varshinci nEnugA vAlinAnilA nApainA
vinnEtidArulA nEcinUnilA cAtugA
pommanna pOvelA cErutAvilA nAlOnA
I allarI .... bAgunnadI
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
galA galA pArutunna godArilA
girl i'm watchin' your booty
cuz you make me make me feel so naughty
let's go out tonight and party
girl I'm watchin' your veepi
cuz to love you forever is my duty
so feel it oh my baby
cAmanTi rUpamA tAla mEgumA rAhumA
ee enda mAmithO neeku snEhamA cAlammA
hindOla rAgamA mEla tAlamA gItamA
kannIti savvadi hAyigunnadI EmainA
ee lAhiri ... Nee prEmanI
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
galA galA pArutunna godArilA
jala jala jArutunte kannIrelA
Dole Dole:
dOle dOle dil zara zarA
ninu Ora Ora gAni naravarA
jAgu mAni chEykalaparA
jatha chEri nEdu jathi jaruparA
zara jaldi jaldi pendarakaDanE raaraa
vaadi Antha ranga samparamunakE raaraa
raalugAyavE rasikudA kasi kOka lAgu sari sarasudA
raara mAtukE munipaDa nisi kEli vEla jatha jOrA
chalEga chalEga yeh hain ishq ka zamAna
karEga karEga har dil ko deewAna
chalEga chalEga yeh hain ishq ka zamAna
karEga karEga har dil ko deewAna
anuvugA andisthA sogasuni sandisthA
podugutho kuduruga neelOnA
muDuputho meppisthA oDuputho oppisthA
dilbara dEkhO naa
misamisa kannE kosaraku vannE valaputho valapannI
nakasikalanni nalugunu pannE kalabaDu samayAnnI
oDiki tvaragA yea..
barilo karagA yea..
oDiki tvaragA yea..
barilo karagA
ga ga sa ga ga sa ni sa ni sa
ga ga sa ga ga sa ni sa ni sa
ni sa ni sa
chiTukini vippEsthA chhamaTani rappisthA
taDugutho tegapaDi neepainA
chhaTukuna choopisthA chanuvugA bandisthA
sundara deewAnA
goliteralanni gaDusarikannE tolagunu tamakAnnI
galimitho gunni balimitho konnI
baligonu tarunAnnI
tarali darakE yea..
yegasi yedakE yea..
tarali darakE yea..
yegasi yedakE
zara jaldi jaldi pendarakaDanE raaraa
vaadi Antha ranga samparamunakE raaraa
raalugAyavE rasikudA kasi kOka lAgu sari sarasudA
raara mAtukE munipaDa nisi kEli vEla jatha jOrA
chalEga chalEga yeh hain ishq ka zamAna
karEga karEga har dil ko deewAna
chalEga chalEga yeh hain ishq ka zamAna
karEga karEga har dil ko deewAna
Choododdantunna:
chooDoddantunnA choosthUnEvuntA
naa kOsam inthandamgA puttAvanukuntA
vaddoddantunnA vasthunEvuntA
kalakAlam nee kowgilli naa illanukuntA
vachEna vachEna mohamAtam inka manakElA
vachEna vachEna aaraatam Edo kaligElA
vachEva vachEva bottetti ninnu pilavAlA
vachEva vachEva vachEvA
sadiyo sadiyo sadiyo nene vasthAnugA
sadiyo sadiyo sadiyo neetho untAnugA
sadiyo sadiyo sadiyo nuvve kAvAligA
sadiyo sadiyo sadiyo naake illAlinkA
chooDoddantunnA choosthUnEvuntA
naa kOsam inthandamgA puttAvanukuntA
nuvvu nEnu okariki okaram cherisegamanukuntA
kAsEpainA kanabadakuntE kalavarapaduthuntA
pakkana nuvve ani porabadipOthuntA
niddarilOnA talagadakennO muddulu peduthuntA
edurugga evvarunna pedaninda nuvvantA
"everyday" O sAraina "confuse" avuthuntA
chuttUna endari vunna vontarinavuthuntA
nuvvu lEni "life" E "bore" ani "feel" ai pOtuntA
vachEva vachEva bottetti ninnu pilavAlA
vachEva vachEva vachEvA
sadiyo sadiyo sadiyo nene vasthAnugA
vodilo vodilo vodilo chOte isthaanugA
sadiyo sadiyo sadiyo nuvve raavaaligA
gadiyam gadiyam gadiyam nene theesthAnugA
shake la la shaka la la shake la la shaka la la
1 2 cha cha cha hey
shake la la shaka la la shake la la shaka la la
cha cha cha cha cha
ennAlainA veedani bandham manadEnanukuntA
choopulu kalisina tarunam enthO bAgundanukuntA
nee venakAlE vokkO adugu veyyAlanukuntA
nee chEtullo vandeenayyE bhagyam immantA
nuvvunte evvarinaina ediristhAnantA
nee kOsam ekkadikaina egirosthAnantA
nee kanna viluvaindenakEdi lEdantA
nee kOsam praanaalaina ichhesthAnantA
vachEva vachEva bottetti ninnu pilavAlA
vachEva vachEva vachEvA
ha sadiyo sadiyo sadiyo nene vasthAnugA
vodilo vodilo vodilo chOte isthaanugA
sadiyo sadiyo sadiyo nuvve raavaaligA
gadiyam gadiyam gadiyam nene theesthAnugA
chooDoddantunnA choosthUnEvuntA
naa kOsam inthandamgA puttAvanukuntA
vaddoddantunnA vasthunEvuntA
kalakAlam nee kowgilli naa illanukuntA
Ippatikinka:
aa a aa naa maatEvintaarA
aa a aa nEnadigindisthaarA
aa a aa naa maatEvintaarA
aa a aa nEnadigindisthaarA
ippatikinka naa vayasu ninda padahArE
cheetiki maatiki cheyyEsthu chuttU kurrAllE
ippatikinka naa vayasu ninda padahArE
cheetiki maatiki cheyyEsthu chuttU kurrAllE
naakevvaru nacchatlE
naa ontilO gumpatlE
eedu jummandi thOdevvarE
ja se ja evvaDi kOsam vethukuthU rail ekkEsaalE
ja se ja okkaDi kOsam merugA ee voorochhaalE
ja se ja evvaDi kOsam vethukuthU rail ekkEsaalE
ja se ja okkaDi kOsam merugA ee voorochhaalE
ippatikinka naa vayasu ninda padahArE
cheetiki maatiki cheyyEsthu chuttU kurrAllE
gotta groove
arre intilO "platinum" parupE veyyAlE
dollarsu thO daily naaku poojalu cheyyAlE
bangAramE kariginchi illanthA parachAlE
vajrAlathO vollanthA nimpEsi pOvAlE
aa chandamAma thEvaali
aa white house kAvAli
"titanic"u gift ivvAli
ja se ja evvaDi kOsam vethukuthU rail ekkEsaalE
ja se ja okkaDi kOsam merugA ee voorochhaalE
ja se ja ninnu choosthE "sudden"ga daDapuDathAvundi
ja se ja intha kAlam ilaanTi aasalu vinalEdE
come on.. say yea
fanaa fanaa make me wanna be now
fanaa fanaa masti mehajeena
fanaa fanaa come to look at me now
fanaa fanaa make me wanna be now
fanaa fanaa masti mehajeena
fanaa fanaa
pogarekkina simhamlAnti mogOdu kAvAlE
chira katthilO vadanamlA thanalO unDaalE
aa chooputhO mantalakE chhematalu pattAlE
aaraDugulA andamthO kudipEsi chhampAlE
thalanti neellu ruddAli
night antha kaallu pattAli
niddarOthunTe jOkottAli
ja se ja evvaDi kOsam vethukuthU rail ekkEsaalE
ja se ja okkaDi kOsam merugA ee voorochhaalE
ja se ja aaguthallE rambha lA fOsEkottakulE
ja se ja evvaDaina asalu nee vankE choodarulE
ippatikinka naa vayasu ninda padahArE
cheetiki maatiki cheyyEsthu chuttU kurrAllE
2007-06-15
Shivaji Tamil Review1
~~ Sivaji : 99% Style 1% Substance ~~
When you are in a Rajini movie, you have to make certain allowances. Logic is usually the first victim to take a heavy beating. Common Sense follows next. Successful Rajini movies don’t aim high in terms of technology, story, logic and themes. They keep it simple and reduce the dependence on logic. Such movies progress smoothly using a nice balance of masala, comedy, songs, fan appeasement and interesting confrontations. It is not that Rajini is incapable of doing better. But he is a prisoner of his own image. Much like the bribery-capitation fee cycle that he tries to eliminate in this movie - The cost of a Rajinikanth project is high - the capitation fee is a compromise in logic, subtlety etc so that lowest common denominator among fans is appeased. You don’t need special intelligence to understand Annamalai or Padaiyappa. Just some basic sensibility towards human emotions is enough. Should the fact that this is a Shankar movie make things different? Should there be some expectation of logic, depth and surprise elements?
It is tempting to think Shankar and Rajini are made for each other. Rajinikanth thrives on the formula where an honest rich man is duped, becomes poor and later fights his way back to richness and glory. The simple message being ‘Good Triumphs’. Shankar thrives on revenge stories, where a common man is harmed by the evils of society, becomes poor/loses something, and uses unconventional methods to teach values and fights his way back to glory (Gentleman, Indian, Anniyan and to some extent Mudhalvan). The simple message being - ‘Honesty is the best policy’. Sivaji is a perfect marriage of these two formulas. Does it work though? Shankar in the past has shown tremendous depth in story telling and details. But he is not subtle a’la Manirathnam. His logic is sketchy and over-the-top. He is more raw. But still makes purists happy. So when Rajini and Shankar combine, Shankar could have gone for story depth and made purists happy. Shankar could have gone for style and made Rajini Fans happy. Or better he could have gone for the jugular by trying to do both and make everybody happy. Usually when someone tries to go for the third alternative they unknowingly open up a fourth - which is get stuck in the middle and go nowhere. Sivaji is a movie where shankar’s and Rajini’s negative aspects add instead of subtracting each other. Shankar wants to have some depth in story line, but then remembers that this is a Rajini movie, so he tries to keep it simple and starves the story. So we get an emaciated story that is too weak for Rajini to carry on his head. However, for a Shankar movie - the twins - story and masala are like belt and suspenders. When the story fails, masala delivers and vice versa. In Sivaji, the masala delivers.
Shankar usually builds a movie like a chemical potion. It’s a carefully built formula with preset ingredients. There is a social message, good songs with creative picturization, comedy, technology gimmicks, surprising twists, creative story line, unusual characters, interesting details, revenge sub-plot, and violence. He lines them up in perfect proportions and scales all these things up with ‘brahmandam’. Money is lavishly spent to bloat up each ingredient to enormous proportions. So that if one fails the other ingredient can somehow help the movie. Jeans is a good example of a Shankar movie which had several main ingredients (like story etc) that were dead on arrival and some that were at best unusual. But the formula helped the movie cross the ‘pass’ mark. Boys didn’t have even those ‘helper’ entities. Whereas in Gentleman, Indian, Kadhalan, and Mudhalvan almost every ingredient worked. Sivaji is neither here nor there. If not for Shankar’s broad and all-encompassing formula with a lot of masala buttressing to protect the movie from failure, this movie would have been a sure goner. Basically - Shankar’s plan A, which is the main story/content, failed and his spare bag of tricks in the form of Plan B helped this movie work to some extent. You could also say that Rajini’s plan A worked and plan B didn’t. Sivaji is better than Baba, which is not saying much. Overall, I felt it was a better movie than Chandramukhi. But I doubt if it has the X-factor that Chandramukhi had.
The story/depth part is the weakest in Sivaji. Sivaji is a returning NRI with intentions of providing free education and medical facilities for the poor. He does not explain how that business model will work but says he has shit load of money that can pay the medical bills of everybody. He faces opposition in the form of bribe-seeking government officials and influential competitors. Reduced from riches to rags, how he achieves his goal forms the rest of the movie. Shreya, an extremely hot (red red hot) babe is his love interest. Typical of Rajini heroines, she is ‘pothikinu’ dressed during the movie and ‘avuthikinu’ dressed in the songs. Shankar has just one trick in the story department. Sivaji’s idea to convert black money to white money. That is it. Everything else - what the Sivaji foundation does, how it helps people, his growth, his nature of help towards the poor is all fluffed up. Not explained. No time is spent on the meat part. You are basically told - ’sivaji does something good - don’t bother with the details - just know that he did some good and people like him now. ok bye’.
The logical/ common sense elements in this movie will not pass the scrutiny of even a complete Rajini fanatic. It is all right to say that one should not expect logic in a Rajini movie. But at least something should make sense. Firstly, NRIs who are senior software architects will not be worth 200 crores. It’s inconceivable. Secondly, meeting Suman, ministers, government officials etc is not so easily possible for common man turned rich NRI. Thirdly, the ministers/political people in this movie are vague. Suman ridiculously changes the ministry by snapping his fingers. We do not know if any one of the caricatured ministers who appear in this movie is a Chief Minister or not. Fourth, the love segment with Shreya is complete nonsense. That part is so over the top that it’s not even worth spending time criticizing. Finally, Sivaji drags people (auditors, drivers, Thalsildars) into his ‘office’, beats them, stabs ministers and stitches them up instantly. This is clearly nonsense and could have been done better. But I have questions. For what purpose? How is he not challenged by other rowdy elements, government, CBI, police etc? All these things basically add up and say - there is no real story but just a semblance of it. The ’social’ aspect is there as a puppet with no real impact. Shankar is usually very good in showcasing the exact nature of social evils. Be it corruption, capitation fee, money laundering - he picks a department and shows in great detail, the effects of it on a common man. The plight of public suffering is well brought out. The small, small details that Shankar provides are usually very interesting and engaging. So even if Shankar leaves gaping holes in logic, which he usually does, it is covered by his excellence in other departments. Here things are kept at such a superficial level that you don’t connect with the movie at all. The CPR revival is a glaring example.
Is there any redeeming aspect to this movie? Shankar has essentially assembled an A list technical team of Indian cinema. K.V.Anand, Anthony, and Rahman are pretty much the best in the business. They help. All the teeny weenie bits of masala items that Shankar adds as just-in-case works. Vivek’s comedy is funny. The punch lines are awesome. The part where Rajini whitens himself is ‘asattu thanam’ and unnecessary but comedy for the most part is very good. There are some very good surprise elements too in this department, which was delightful. Songs & Picturization. I did not like the introduction SPB song. The video made it slightly bearable (but not pictured as well as its Shankar counterparts ‘Andan Kaakha’ or ‘Aazhagaana Rakshasi’ ). ‘Oru Koodai Sunlight’ is an excellent song, the best song in Sivaji, well picturized but in a poor context. The blonde hair looks ridiculous. I was hoping they wouldn’t use it on ‘oru koodai sunlight’ and spoil it. They did. ‘Sivaji’ ‘Athiradi’ and ‘Saahara’ songs are actually well picturized. Special mention needs to be made on ‘Athiradi’ song. Its mind blowing. This song alone is worth the price of the entry ticket. I can’t think of a Rajini or a Shankar song that has a better picturization than this. The stunt scenes have been choreographed very well. Some of them are really impressive. The bullet-time sequences have been done with a touch of style and class. However, in a lot of sequences they are speeded up or jazzed up by some flashy camera work to cover for Rajini’s age. The climax scene is the only exception. When those trademark zoom-ins and zoom outs happen, which don’t until well into the second half, you know editor Anthony is saying ‘hi’. This fellow is very impressive.
It would be unfair if I did not talk about the way Rajini and his style carried this movie single handedly. In all honesty Shankar failed in his department but did the ‘Rajini’ aspect some justice. The stylized way in which Rajini pops in a bubble gum, the way he moves the 1 Rupee coin is all pure class. Only Rajini can do this. It’s fun to watch also. Somehow the heart warms up to Rajini. You feel for him, when shreya spurns him. ‘Charm’ is an underrated word. Especially when the Rajini charm works on you like magic. The ‘mottai’ boss morpheus-look-alike aspect is the biggest surprise and the highest point of the movie. If not for that segment, I would have left the theater completely let down. Just watch this movie for ‘rajini style’ and you’ll know what I am talking about. While Rahman has adequately changed the ’super star’ title segment, the actual introduction scene of Rajinikanth is a letdown. A risk, which if it works is awesome. In this case it is a costly mistake. Sivaji starts on an unconventional and deflated note. Usually a good rajini movie hits a high note and keeps going to higher places without letting up. This movie stumbles, stops and hiccups its way to the interval. You can usually say when something is amiss. The small parts look okay individually but there is no overall cohesion. While I couldn’t put a finger to it, I could sense that whatever this movie was doing - a formulaic once-every-3-minute round robin switch to Sivaji’s social work, suman, rajini-shreya love, rajini vivek comedy - it was not gelling well. The pace was all right and it was hitting some formula but it was not engaging. The movie improved dramatically in the second half. To me the second half was much better than the first. However, Shankar shows no intention of getting into details. Instead he chooses to spend time on stupid truck-jeep based fight scenes in a drive-in theater.
There were many points in the movie where I felt ‘wow’ and many other points where I felt ‘what could have been’. I wish Rajini had accepted the Mudhalvan script. It had a story. Keeping Sivaji’s story under-cover must have been easy for Shankar. It has no story.
2007-06-13
Types of U.S Visas
A Visas (Official Visas)
A-1: For Ambassadors, public ministers & consular officers
A-2: For immediate family members of A-1
A-3: Attendants & servants of A-1 and A-2 holders
B (Business/Visitor) Visa
B-1 Temporary visitor for business
B-2 Temporary visitor for leisure
C & D Visa (For Aliens in transit)
C-1,2: Alien in transit directly through US
C-3: Family of C-1,C-2 in transit
C-4: Transit without Visa(TWOV)
D-1: Sailors departing on vessel of arrival
D-2: Sailors departing by other means
E - Visa (For Traders/Investors)
E-1 Treaty Trader, spouse and children
E-2 Treaty Investor, spouse and children
F Visa (Students)
Want to study or research at a U.S. college? Then F is the visa for you -
F-1: Academic Student
F-2: Spouse or child of F-1
H (Temporary Worker) Visa
H-1B: Persons in a specialty occupation
H-2B: Seasonal nonagricultural workers
H-3: Trainees other than medical/academic; also training of handicaps
H-4: Dependants of H visa holders
I Visa (Mediapersons)
Are you a reporter, film person, Editor? Then you require an I-visa - Essential docs: Your press ID, a letter from the editor.
J & Q Exchange Visitor Visa
J-1 exchange visitors may be academics, scientists, business people or students.
J-1: Visas for exchange visitors
J-2: Spouse or 'child' of J-1 under 21
Fiance(e) of US Citizen
K-1 Fiance(e)
K-2 Minor child of K-1
K-3 Spouse of a U.S. Citizen (LIFE Act)
K-4 Child of K-3 (LIFE Act)
Docs: Marriage certificate & Photos, Intent of marrying within 90 days in US(for K1). -- à For those who are looking to settle down, well, this is the way to go. J
L Visa (Intracompany Transferees)
L-1A Executive, managerial
L-1B Specialized knowledge
L-2 Spouse or child of L-1
Vocational and Language Students
M-1 Vocational student or other non-academic student
M-2 Spouse or child of M-1
O -Visa (For Prodigies)
O-1: For a Genius in Sciences, Arts, Education, Business, or Athletics.
O-2: Alien's (support) accompanying O-1
O-3: Spouse or child of O-1 or O-2
Athletes and Entertainers
P-1: Athletes & Entertainment groups
P-2: Entertainers in exchange programs
P-3: Entertainers in cultural programs
P-4: Spouse or child of P-1, 2, or 3
R-Visa (Religious Workers)
R-1 Religious workers
R-2 Spouse or child of R-1
Telangana Style Pelli Pilupu
2007-06-08
Bommarillu Climax Scene.. !
(In Telugu)
In his meeting with his Project Leader after a long time, Ravik explodes ....
Antha meere cheesaru... Motham meere cheesaru....
Chalu Sir... vachinnapadinunchi meeru naacheta cheyinchindi chalu, nenu kolpoindi chalu, inka oddu please....
sir: emindi ravik neeku? em kolpoyavu?
Inka ardam kaaleda meeku. Ee COMPANY ki ochhinappudu naa deggara emundo, velipoyetappudu emiledho ade Sir nenu kolipoindi- Programming skills.
Chinna chinna skills kuda kolipoyanu Sir meevalla.
Meereppudu mee team cheta goppa project cheyinchali, R&D work cheyinchalani alochistharu. Kaani nakem vachoo, nenemi cheyyagalanoo meeru thelusukooru.
sir: rey ravik..neeku edina pani ichemundu dani gurinchi 1000 sarlu aalochista ani neeku telusu kada ra.. !
Avunu.... 1000 saarlu client requirements satisfy ayyaya ani alochisthaare tappa, oka saari ayina nenu adi chayyagalanaa ani alochinchhara.
cheyyagaligina danikanna ekkuva work ivvadamlo satisfaction meeku telusu, kaani ichina work avvakapothe andhulo unde baadha meeku thelidu- naaku thelusu.
Asalu naatho maatladithega theliseedi nenemi chestunnanoo. Edaina problem unte team lo vunna migilina vaallani pilichi maatlaaduthaaru. Naatho maatladandi Sir. Na work choosi cheppandi Sir. Friendly ga undandi Sir.
sir: nene kada ra neetho eppudu friendly ga vundara ani cheppedi.. !
Chepputhaaru , kani undaru. Endukante antha meeku nachhinatte jaragalikada.
Cheyyalsina Language meere select chesthaaru, meere super antaru, kani adi work out avutundoo ledoo kooda choodakundane meeru nanne convince chesesthaaru.
Naku ela untundo telusa- idi raadu... nenu cheyyalenu ani aravalani anipistundi.
USE CASES cheyyamantaru. Nenu chestanu. Kaani cheselope LLD ki marchestaru. Navvuthunnru Sir naa project choosi maa freinds.
Hey ravik.... sample program cheyyi antaru. Nenedoo code raastaanu.
Meermoo CODING STANDARDS follow avvu.... COMMENTS rayyi.....FUNCTIONS RAYATAM try cheyyi....
ani roju naa chutto tirugutoo arustoo vuntaru.
Nenelaa code rayaloo kooda meere decide chesesthe...nenu enduku Sir program raayadam....
Chivariki program elaa debug cheyyaaloo kooda meere cheppestunte... Complie kavatam ledu Sir.
Meeku teleedu. meeru cheppindi cheyyalekaa, naaku vachhindi cheppaleeka, narakam choosanu Sir... narakam.
Frustration, kopam, chiraaku. Evarimeedha choopinchaalo, ela choopinchaalo kooda theliyakapothe chivariki oka rooju Ileana(Ravik lover) meeda kooda arichesaanu. Daanitho Ileana naatho matladatham manesindi……. Asalu nenendhuku ala unnano Ileana ke ardam kakapothe inka meekela telustundi Sir.
Ippudu neenemi cheyali Sir. BUGS FIX cheyyali..anthe kadaa. Chestanu Sir. Kaani ippatidaaka nenu chesinaa UI DESIGNING....PROGRAMMING …. evemi work out kaaledu Sir.
Kaani ippudu chestunna Singapore project kachitam gaa Reuslt ravali. kaani edo oka roju adi kooda raadu ani telisipotundi kadaa. Appudu naa project spoil ayyindi ani meere badhapadataru.
Inthavaraku meeroka guide gaa gelichaanu anukuntunaaru kadaa ???. Kaani mimmalni gelipinchadaaniki rendu yellaga neenu odipothoone unnanu.
ilaage oddipothu unthe, year ending lo entra naa project ani chooste andulo emi vundadu.
Innallu nenu project cheyyatledu sir, chestunnattu act chesanu, ika mundu kooda alage untanu.
Kaani naado request sir... nenu cheyyaleni work ichhesi nenedo cheseyyalani maathram korukovoddu sir, please….
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